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-Davis, “Life in the Iron Mills”
-Howells, “Henry James” and “Novel-Writing”
-Henry James: From The Art of Fiction
-Freeman, “The Revolt of ‘Mother’”
-Jewett, “A White Heron”
-Harte, “The Luck of the Roaring Camp
-Twain, “The Notorious Jumping Frog”
-Chopin, “The Storm”
-James, “Daisy Miller” -Chestnutt, “The Passing of Grandison”
-Dunbar, from Lyrics of Lowly Life
-Harris, from Uncle Remus
-Gilman, “The Yellow Wallpaper” and “Why I Wrote TYWP”
-Norris, “Plea” (C968-71) and “Fantasie Printanière” -Crane, “The Open Boat” -Washington, Up from Slavery
-DuBois, from The Souls of Black Folk
-Moore, “Poetry”
-Pound, “In a Station of the Metro” & “The River Merchant’s Wife
& “Hugh Selwyn Mauberley”
-Eliot, “The Waste Land”
-Anderson, “Winesburg” & “Hands”
-Porter, “Flowering Judas”
-Hemingway, “The Snows of Kilimanjaro”
-Fitzgerald, “Babylon Revisited”
-Cummings “Cambridge Ladies” & “next to god…”
-Stevens, “Sunday Morning” -H.D., “Leda” & “Helen”
-Williams, “The Red Wheelbarrow” & “Spring & All”
-Frost, “Mending Wall” & “Stopping By Woods”
-Locke, The New Negro
-Jean Toomer, Cane -Hughes, “The Negro Speaks” & “The Weary Blues”
-Hurston, “Gilded Six Bits” -McKay, “The Harlem Dancer”
Assignment Rank the poets you read for this lesson from least to most confessional. In other words, which of them seems most absorbed with personal feelings, experiences, etc., and which seem less so—and why? (Don’t simply make a list—you must rank them with a justification)
Make sure you include an opening thesis that defines confessional poetry 🙂 STRONG OPENING THESIS, DEVELOPMENT (500 words), SUPPORT (quotations), OBJECTIVE TONE (No “I” or “we”).


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